New York City: Population Immersion and Studio Isolation

A previous body of work really put me out there on the street.

New Yorkers are not known for their reticence; therefore, I found myself interacting often with people while painting. I believe that I live in the most fascinating city in America—I can’t imagine living anywhere else. New York makes me high: this New York where I find there to be a wealth of intelligent people, intelligent conversation, and utter wackos, all of whom offer interaction and entertainment in their own unique way. I have made quite a few oil paintings of that lovely, dirty, gritty New York City full of buttinskis.

If you think about it, being lonely and isolated is a choice—or perhaps a matter of temperament. It’s not in my nature to be solitary and reclusive. The insanity of isolation makes painting an odd career choice for a guy like me. Then again, if being an artist is a career choice, you are fucking doing it wrong . . .

Photograph of Jonathan Herbert studying a painting in progress.

I saw the play RED on Broadway. Incredibly it was real and important theater. This is how Rothko often worked.

Photograph by EMMANUEL CAYERE 2013

Sneak Preview of the Two Latest Bodies of Work at the Dumbo Arts Festival this Weekend!

New Tarot and Kaballah Paintings (Oil on Linen) are hung up on the walls! Come join us. 

Friday September 27th 6 – 8 PM
Saturday Sunday 28 and 29th 12 – 5 PM

Dumbo Arts Festival 2013



68 Jay Street Studio 803
Brooklyn NY 11201